Since 2014 her attention was drawn towards a circus activity called aerial silks which gave her a new opportunity to study the body and how it reacts to this particular object: two flaps of fabric that descend from the ceiling. 

The series is called Panneggio like the old masters technique of painting tissue drapings and studying the anatomy of the fabrics. She starts by representing the body in communication with the fabric until the former vanishes, leaving only a trace on the drape, which becomes a simple object giving infinite possibilities. Then she added light to the game of building and painting sculptures of fabric and the sub series Light Panneggio was born, so the works started looking like planets, suns or dreamlike landscapes, where a strong source of light, like a trapped energy, is trying to break through the fabric.

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In her latest exhibition, Harvesting, Ástríður explores the boundary between life and death, stillness and renewal. The series features bodies shrouded in veils, their soft folds tracing the shapes beneath, evoking a sense of protection and mystery. Dark tones, grays and petrol blues, create an atmosphere of contemplative solitude, where the body regenerates. The veils that envelop them are in fact not mere coverings, but true protective mantles, charged with a vital energy capable of imparting new strength. Each painting captures a suspended moment between sleep and wakefulness, life and death. The exhibition also includes smaller works of clustered fabrics, emphasizing the magnetic force and the subtle energy of matter, and alien landscapes called "Inner land-escape" that mirror the interplay of presence and emptiness.